The Norton Introduction to Literature Week 14

"Dover Beach"

"Dover Beach" is a lyric poem by the English poet Matthew Arnold. It was first published in 1867 in the collection New Poems, but surviving notes indicate its composition may have begun as early as 1849. The most likely date is 1851.

The title, locale and subject of the poem's descriptive opening lines is the shore of the English ferry port of Dover, Kent, facing Calais, France, at the Strait of Dover, the narrowest part (21 miles) of the English Channel, where Arnold honeymooned in 1851.

Matthew Arnold

Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues.

His 1867 poem, "Dover Beach," depicted a nightmarish world from which the old religious verities have receded. It is sometimes held up as an early, if not the first, example of the modern sensibility. In a famous preface to a selection of the poems of William Wordsworth, Arnold identified, a little ironically, as a "Wordsworthian." The influence of Wordsworth, both in ideas and in diction, is unmistakable in Arnold's best poetry. Arnold's poem, "Dover Beach" was included in Ray Bradbury's novel, Fahrenheit 451, and is also featured prominently in the novel Saturday by Ian McEwan. It has also been quoted or alluded to in a variety of other contexts.

Some consider Arnold to be the bridge between Romanticism and Modernism. His use of symbolic landscapes was typical of the Romantic era, while his sceptical and pessimistic perspective was typical of the Modern era. The rationalistic tendency of certain of his writings gave offence to many readers, and the sufficiency of his equipment in scholarship for dealing with some of the subjects which he handled was called in question, but he undoubtedly exercised a stimulating influence on his time. His writings are characterised by the finest culture, high purpose, sincerity, and a style of great distinction, and much of his poetry has an exquisite and subtle beauty, though here also it has been doubted whether high culture and wide knowledge of poetry did not sometimes take the place of true poetic fire. Henry James wrote that Matthew Arnold's poetry will appeal to those who "like their pleasures rare" and who like to hear the poet "taking breath."

"To His Coy Mistress"

"To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621–1678) either during or just before the English Interregnum (1649–60).

This poem is considered one of Marvell's finest and is possibly the best recognized carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s. At that time, Marvell was serving as a tutor to the daughter of the retired commander of the New Model Army, Sir Thomas Fairfax.

To His Coy Mistress

Had we but world enough, and time,

This coyness, Lady, were no crime

We would sit down and think which way

To walk and pass our long love's day.

Thou by the Indian Ganges' side

Shouldst rubies find: I by the tide

Of Humber would complain. I would

Love you ten years before the Flood,

And you should, if you please, refuse

Till the conversion of the Jews.

My vegetable love should grow

Vaster than empires, and more slow;

A hundred years should go to praise

Thine eyes and on thy forehead gaze;

Two hundred to adore each breast,

But thirty thousand to the rest;

An age at least to every part,

And the last age should show your heart.

For, Lady, you deserve this state,

Nor would I love at lower rate.

But at my back I always hear

Time's wingèd chariot hurrying near;

And yonder all before us lie

Deserts of vast eternity.

Thy beauty shall no more be found,

Nor, in thy marble vault, shall sound

My echoing song; then worms shall try

That long preserved virginity,

And your quaint honour turn to dust,

And into ashes all my lust:

The grave's a fine and private place,

But none, I think, do there embrace.

Now therefore, while the youthful hue

Sits on thy skin like morning dew,

And while thy willing soul transpires

At every pore with instant fires,

Now let us sport us while we may,

And now, like amorous birds of prey,

Rather at once our time devour

Than languish in his slow-chapped power.

Let us roll all our strength and all

Our sweetness up into one ball,

And tear our pleasures with rough strife

Through the iron gates of life:

Thus, though we cannot make our sun

Stand still, yet we will make him run.

Anorew Harvell

Andrew Marvell (/ˈmɑːrvəl/; 31 March 1621 – 16 August 1678) was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend of John Milton. His poems range from the love-song "To His Coy Mistress", to evocations of an aristocratic country house and garden in "Upon Appleton House" and "The Garden", the political address "An Horatian Ode upon Cromwell's Return from Ireland", and the later personal and political satires "Flecknoe" and "The Character of Holland".

Hyperbole

Hyperbole is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (lit. "growth"). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally.

"To the Virgins, to Make Much of Time"

"To the Virgins, to Make Much of Time" is a poem written by English Cavalier poet Robert Herrick in the 17th century. The poem is in the genre of carpe diem, Latin for seize the day. It goes as follows:

Gather ye rosebuds while ye may,

Old Time is still a-flying;

And this same flower that smiles today

To-morrow will be dying.

The glorious lamp of heaven, the sun,

The higher he's a-getting,

The sooner will his race be run,

And nearer he's to setting.

That age is best which is the first,

When youth and blood are warmer;

But being spent, the worse, and worst

Times still succeed the former.

Then be not coy, but use your time,

And, while ye may, go marry:

For having lost but once your prime,

You may forever tarry.

Robert Herrick

Robert Herrick (baptised 24 August 1591 – buried 15 October 1674) was a 17th-century English lyric poet and cleric. He is best known for Hesperides, a book of poems. This includes the carpe diem poem "To the Virgins, to Make Much of Time", with the first line "Gather ye rosebuds while ye may".

Herrick wrote over 2,500 poems, about half of which appear in his major work, Hesperides. Hesperides also includes the much shorter Noble Numbers, his first book, of spiritual works, first published in 1647. He is well known for his style and, in his earlier works, for frequent references to lovemaking and the female body. His later poetry was more of a spiritual and philosophical nature. Among his most famous short poetical sayings are the unique monometers, such as number 475, "Thus I / Pass by / And die,/ As one / Unknown / And gone."

Carper diem 

Carpe diem is a Latin aphorism, usually translated "seize the day", taken from book 1 of the Roman poet Horace's work Odes (23 BC).

In Horace, the phrase is part of the longer "carpe diem, quam minimum credula postero", which can be translated as "Seize the day, put very little trust in tomorrow (the future)". The ode says that the future is unforeseen and that one should not leave to chance future happenings, but rather one should do all one can today to make one's future better. This phrase is usually understood against Horace's Epicurean background. The meaning of "carpe diem" as used by Horace is not to ignore the future, but rather not to trust that everything is going to fall into place for you and taking action for the future today.

The Norton Introduction to Literature Week 13

Marguerite Duras

Duras, 1993 

Marguerite Donnadieu, known as Marguerite Duras ( 4 April 1914 – 3 March 1996), was a French novelist, playwright, scriptwriter, essayist and experimental filmmaker. She is best known for writing the 1959 film Hiroshima mon amour, which earned her a nomination for Best Original Screenplay at the Academy Awards.

Hiroshima mon amour

Hiroshima mon amour (French pronunciation: ​[iʁoʃima mɔ̃.n‿amuʁ], Hiroshima My Love; Japanese: 二十四時間の情事 Nijūyojikan'nojōji, Twenty-four-hour affair) is a 1959 drama film directed by French film director Alain Resnais, with a screenplay by Marguerite Duras. It is the documentation of an intensely personal conversation between a French-Japanese couple about memory and forgetfulness. It was a major catalyst for the Left Bank Cinema, making highly innovative use of miniature flashbacks to create a uniquely nonlinear storyline.

Song Sharing: 我多麼羨慕你

Walt Whitman

Walter "Walt" Whitman (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.

Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle.

"Song of Myself"

Song of Myself" is a poem by Walt Whitman that is included in his work Leaves of Grass. It has been credited as "representing the core of Whitman’s poetic vision." The poem is written in Whitman's signature free verse style. Whitman, who praises words "as simple as grass" (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience.

I celebrate myself, and sing myself,

And what I assume you shall assume,

For every atom belonging to me as good belongs to you.

I loafe and invite my soul,

I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form'd from this soil, this air,

Born here of parents born here from parents the same, and their parents the same,

I, now thirty-seven years old in perfect health begin,

Hoping to cease not till death.

Creeds and schools in abeyance,

Retiring back a while sufficed at what they are, but never forgotten,

I harbor for good or bad, I permit to speak at every hazard,

Nature without check with original energy.

Emily Dickinson

Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Dickinson was born in Amherst, Massachusetts. Although part of a prominent family with strong ties to its community, Dickinson lived much of her life highly introverted. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's house in Amherst. Considered an eccentric by locals, she developed a noted penchant for white clothing and became known for her reluctance to greet guests or, later in life, to even leave her bedroom. Dickinson never married, and most friendships between her and others depended entirely upon correspondence.

While Dickinson was a prolific private poet, fewer than a dozen of her nearly 1,800 poems were published during her lifetime.The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends.

"A narrow Fellow in the Grass" 

A narrow fellow in the grass

Occasionally rides;

You may have met him—did you not

His notice instant is,

The grass divides as with a comb,

A spotted shaft is seen,

And then it closes at your feet,

And opens further on.

He likes a boggy acre

A floor too cool for corn,

Yet when a boy and barefoot,

I more than once at noon

Have passed, I thought, a whip lash,

Unbraiding in the sun,

When stooping to secure it,

It wrinkled and was gone.

Several of nature's people

I know, and they know me;

I feel for them a transport

Of cordiality.

Yet never met this fellow,

Attended or alone,

Without a tighter breathing,

And zero at the bone.



Samuel Taylor Coleridge

Samuel Taylor Coleridge ( 21 October 1772 – 25 July 1834) was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan, as well as the major prose work Biographia Literaria. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many familiar words and phrases, including suspension of disbelief. He was a major influence on Emerson and American transcendentalism.

Throughout his adult life Coleridge had crippling bouts of anxiety and depression; it has been speculated that he had bipolar disorder, which had not been defined during his lifetime. He was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction.

"Kubla Khan"

"Kubla Khan; or, A Vision in a Dream: A Fragment" /ˌkʊblə ˈkɑːn/ is a poem written by Samuel Taylor Coleridge, completed in 1797 and published in 1816. According to Coleridge's Preface to "Kubla Khan", the poem was composed one night after he experienced an opium-influenced dream after reading a work describing Xanadu, the summer palace of the Mongol ruler and Emperor of China Kublai Khan. Upon waking, he set about writing lines of poetry that came to him from the dream until he was interrupted by a person from Porlock. The poem could not be completed according to its original 200–300 line plan as the interruption caused him to forget the lines. He left it unpublished and kept it for private readings for his friends until 1816 when, at the prompting of Lord Byron, it was published.

Some of Coleridge's contemporaries denounced the poem and questioned his story of its origin. It was not until years later that critics began to openly admire the poem. Most modern critics now view "Kubla Khan" as one of Coleridge's three great poems, along with The Rime of the Ancient Mariner and Christabel. The poem is considered one of the most famous examples of Romanticism in English poetry. A copy of the manuscript is a permanent exhibit at the British Museum in London.

James Dickey

James Lafayette Dickey (February 2, 1923 – January 19, 1997) was an American poet and novelist. He was appointed the eighteenth Poet Laureate Consultant in Poetry to the Library of Congress in 1966. He also received the Order of the South award.

Edgar Allan Poe

Edgar Allan Poe (/poʊ/; born Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career.

"The Raven"

"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk, mythological, religious, and classical references.

"To Helen"

"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. It was first published in 1831 collection Poems of Edgar A. Poe. It was then reprinted in 1836 in the Southern Literary Messenger.

The Norton Introduction to Literature Week 12

"I Wandered Lonely as a Cloud"

Somewhere i have never travelled, gladly beyond"

This title has no significance other than it is the first line.

Theme- Love is the clear theme of this poem.

 Speaker-The speaker is a man who is in love and dumbfounded by it's mystery. Many believe the speaker is Cummings.

Tone- The tone of the poem is mystified by the effects love has on the speaker.

Importance to society-The poem was written during the Great Depression. Many readers were looking for happiness and love in a world focused on survival.

 Rhythm and Pattern -This poem has five verse paragraphs, displaying Cummings' signature style: odd use of punctuation and spacing, unusual word order, and other variant uses of language.

Rhyme Scheme- This poem has no specific rhyme scheme. It is a free verse poem.
 "Anyone lived in a pretty how town"

"anyone lived in a pretty how town" is a poem written by E. E. Cummings. First published in 1940, the poem details the lives of residents in a nameless town. Like much of Cummings's work, the poem is actually untitled, so critics use the first line to refer to the poem. Cummings often wrote in a manner that did not follow standard English syntax and punctuation. This style is evident in the poem's first line, which is written in all lowercase letters and contains the unlikely phrase "pretty how town".
The poem was adapted into a short film of the same name by George Lucas.

Style- In the poem, Cummings states the lines, "spring summer autumn winter", (3) and "sun moon stars rain", (8) multiple times. In reiterating these lines he changes the order of the seasons, "autumn winter spring summer", (11) and "stars rain sun moon", (21).


General Prologue
The General Prologue is the first part of Chaucer's The Canterbury Tales.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the general prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of "sundry folk" who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket.
The setting is April, and the prologue starts by singing the praises of that month whose rains and warm western wind restore life and fertility to the earth and its inhabitants. This abundance of life, the narrator says, prompts people to go on pilgrimages; in England, the goal of such pilgrimages is the shrine of Thomas Becket. The narrator falls in with a group of pilgrims, and the largest part of the prologue is taken up by a description of them; Chaucer seeks to describe their 'condition', their 'array', and their social 'degree':
To telle yow al the condicioun,
Of ech of hem, so as it semed me,
And whiche they weren, and of what degree,
And eek in what array that they were inne,
And at a knyght than wol I first bigynne.

Free verse
Free verse is an open form of poetry. It does not use consistent meter patterns, rhyme, or any other musical pattern. It thus tends to follow the rhythm of natural speech.
Poets have explained that free verse is not totally free; 'its only freedom is from the tyrant demands of the metered line'. Free verse displays some elements of form. Most free verse, for example, self-evidently continues to observe a convention of the poetic line in some sense, at least in written representations, though retaining a potential degree of linkage.
Although free verse requires no meter, rhyme, or other traditional poetic techniques, a poet can still use them to create some sense of structure. A clear example of this can be found in Walt Whitman's poems, where he repeats certain phrases and uses commas to create both a rhythm and structure.

Walt Whitman

Walter "Walt" Whitman ( May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.

"When Lilacs Last in the Dooryard Bloom’d"

"When Lilacs Last in the Dooryard Bloom'd" is a long poem in the form of an elegy written by American poet Walt Whitman (1819–1892) in 1865.
The poem, written in free verse in 206 lines, uses many of the literary techniques associated with the pastoral elegy. It was written in the summer of 1865 during a period of profound national mourning in the aftermath of the assassination of President Abraham Lincoln on April 14, 1865. Despite the poem being an elegy to the fallen president, Whitman neither mentions Lincoln by name nor discusses the circumstances of his death. Instead, Whitman uses a series of rural and natural imagery including the symbols of the lilacs, a drooping star in the western sky (Venus), and the hermit thrush, and employs the traditional progression of the pastoral elegy in moving from grief toward an acceptance and knowledge of death. The poem also addresses the pity of war through imagery vaguely referencing the American Civil War (1861–1865) which ended only days before the assassination.

W.B. Yeats 

William Butler Yeats ( 13 June 1865 – 28 January 1939) was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923, he was awarded the Nobel Prize in Literature as the first Irishman so honoured for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation". Yeats is considered to be one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1933).

"The Lake Isle of Innisfree"

Lake Isle of Innisfree" is a twelve-line poem composed of three quatrains written by William Butler Yeats in 1888 and first published in the National Observer in 1890. It was reprinted in The Countess Kathleen and Various Legends and Lyrics in 1892 and as an illustrated Cuala Press Broadside in 1932.
"Lake Isle of Innisfree" exemplifies the style of the Celtic Revival: it is an attempt to create a form of poetry that was Irish in origin rather than one that adhered to the standards set by English poets and critics. It received critical acclaim in the United Kingdom and France.
The twelve-line poem is divided into three quatrains and is an example of Yeats's earlier lyric poems. Throughout the three short quatrains the poem explores the speaker’s longing for the peace and tranquility of Innisfree while residing in an urban setting.

William Wordsworth

William Wordsworth (7 April 1770 – 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years that he revised and expanded a number of times. It was posthumously titled and published, before which it was generally known as "the poem to Coleridge". Wordsworth was Britain's Poet Laureate from 1843 until his death in 1850.

The Norton Introduction to Literature Week 11

Shall i compare thee to a summer's day?

Sonnet 18, often alternatively titled Shall I compare thee to a summer's day?, is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence (which comprises sonnets 1–126 in the accepted numbering stemming from the first edition in 1609), it is the first of the cycle after the opening sequence now described as the procreation sonnets.

In the sonnet, the speaker compares his beloved to the summer season, and argues that his beloved is better. He also states that his beloved will live on forever through the words of the poem. Scholars have found parallels within the poem to Ovid's Tristia and Amores, both of which have love themes. Sonnet 18 is written in the typical Shakespearean sonnet form, having 14 lines of iambic pentameter ending in a rhymed couplet. Detailed exegeses have revealed several double meanings within the poem, giving it a greater depth of interpretation.

End rhyme
Tail rhyme (also called end rhyme or rime couée) is a rhyme in the final syllable(s) of a verse (the most common kind).

Rhyme scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.Bid me to weep, and I will weepWhile I have eyes to seeAnd having none, yet I will keepA heart to weep for theeABAB

Henrik Ibsen

Henrik Johan Ibsen (  20 March 1828 – 23 May 1906) was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, Rosmersholm, and The Master Builder. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century.

Adool's House

A Doll's House ( also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month.The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been "the description of humanity."In 2006, the centennial of Ibsen's death, A Doll's House held the distinction of being the world's most performed play for that year.

Ballad

Illustration by Arthur Rackham of the ballad "The Twa Corbies"A ballad  is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dancing songs". Ballads were particularly characteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa.Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century the term took on the meaning of a slow form of popular love song and is now often used for any love song, particularly the pop or rock sentimental ballad.Ballads were originally written to accompany dances, and so were composed in couplets with refrains in alternate lines. These refrains would have been sung by the dancers in time with the dance. Most northern and west European ballads are written in ballad stanzas or quatrains (four-line stanzas) of alternating lines of iambic (an unstressed followed by a stressed syllable) tetrameter (eight syllables) and iambic trimeter (six syllables), known as ballad meter. Usually, only the second and fourth line of a quatrain are rhymed (in the scheme a, b, c, b), which has been taken to suggest that, originally, ballads consisted of couplets (two lines) of rhymed verse, each of 14 syllables. This can be seen in this stanza from "Lord Thomas and Fair Annet":The horse | fair Ann | et rode | upon |He amb | led like | the wind |,With sil | ver he | was shod | before,With burn | ing gold | behind |.

John Keats "La Belle Dame sans Merci"

"La Belle Dame sans Merci" (French for "The Beautiful Lady Without Mercy") is a ballad written by the English poet John Keats. It exists in two versions, with minor differences between them. The original was written by Keats in 1819. He used the title of the 15th-century La Belle Dame sans Mercy by Alain Chartier, though the plots of the two poems are different.The poem is considered an English classic, stereotypical of other of Keats' works. It avoids simplicity of interpretation despite simplicity of structure. At only a short twelve stanzas, of only four lines each, with a simple ABCB rhyme scheme, the poem is nonetheless full of enigmas, and has been the subject of numerous interpretations.E.E. Cummimgs
A black-and-white photo of Cummings standing in profileEdward Estlin Cummings (October 14, 1894 – September 3, 1962), known as E. E. Cummings, with the abbreviated form of his name often written by others in lowercase letters as e e cummings (in the style of some of his poems—see name and capitalization, below), was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, two autobiographical novels, four plays and several essays, as well as numerous drawings and paintings. He is remembered as an eminent voice of 20th century English literature.Some of his poetry is free verse (with no concern for rhyme or meter), many have a recognizable sonnet structure of 14 lines, with an intricate rhyme scheme. A number of his poems feature a typographically exuberant style, with words, parts of words, or punctuation symbols scattered across the page, often making little sense until read aloud, at which point the meaning and emotion become clear. Cummings, who was also a painter, understood the importance of presentation, and used typography to "paint a picture" with some of his poems.